![]() Marshall finishes the verse with the line, “ur love dissolves this universe,” showing that though their love might have been lost in real life, its strength transcends this universe, allowing it to continue to exist in the dreamscape.Īfter a chorus exactly like its first, the song enters into an extended outro. Over similar instrumentation as the first verse, the second verse has Marshall delving into the idea of “losing people and situations to the guillotine of the universe.” He sings, “Despite the, the brick walls, the ceilin’ / Up here, I’m freer than the birds / We soar above the broken Earth / The train line in Seaforth.” He uses the metaphor of being freer than the birds to relay the soaring feeling that the privilege, only found in dreams, of meeting his past lover imparts upon him.Īdditionally, he defines “Seaforth” not as some sort of sailor’s phrase, but rather the city that exists north of Liverpool, where he lives. This tension is resolved with the final lyric of the verse, “Cause this faith is all I have,” explaining Marshall’s “fire” as the instrumental resumes a time signature of 4/4 beats per measure and the instruments resume their verse parts. The lover established in the first verse, having exhausted her time with Marshall on Earth only to live in his dreams, reflects his past, which Marshall meets with indignation. Marshall’s lyrics mirror the tension imparted by the instrumentation: “I see you, the same eyes / Reflect the world that falls apart / There’s a fire in my heart.” The piano riff abruptly stops and the drum play becomes restricted to kicks and hats, except for a snare on the second beat. The instrumentation throughout the song is mostly a mix of these three parts, though lead guitar play comes and goes while some woodwinds feature near the end of the track.Īs the chorus hits, the song’s rhythm is suspended as the time signature switches to 6/4 beats per measure. Marshall dives into these themes as soon as the song begins with, “She’s sleeping… / She speaks in my dreaming / I take her waist within my hands / And when I wake she melts away into the sand.” With the help of simple guitar strums, a laid back drum beat and a meandering piano riff, Marshall sets the stage for the rest of the track. ![]() In a statement, Marshall described the album as influenced by “the space between … haunted by dreams of love, touching a narrative of lost connection, losing people and situations to the guillotine of the universe.” ![]() However, the lyrics retain the same longing qualities that have been prominent through his work. “Seaforth” makes use of the same spaciness, stripped-down production and frolicking lead play common to Marshall’s work as King Krule, though in a more lighthearted manner than one might expect. Upon the album’s release, King Krule will embark on a brief four-date UK tour, which will take place from June 11-15. Accompanied by a music video, the single released alongside an announcement of King Krule’s upcoming album, “Space Heavy,” set to release on June 9. Two of the most popular country songs to feature a train beat are Walk the Line and Folsom Prison Blues by Johnny Cash.King Krule - the main stage name of musician Archy Marshall - released the single “Seaforth” on April 21. The bass drum comes on the 1 st and 3 rd count and once you’re feeling more comfortable, you can add the hi-hat in on the 2 nd and 4 th beat. The key to creating the train beat feel is with the right hand hits, the first one with a bass drum hit accompanying it and the second with an accent. This beat is meant to emulate the sound of a moving steam train just by using single strokes on the snare drum, bass drum and sometimes hi-hats. Train beats can be heard on a lot of early Johnny Cash recordings and even on modern country recordings. One of the most frequently used “money beats” in country music is the train beat. These days, country drumming shares many similarities with pop and rock drumming. They are called money beats because they are heard on countless recordings and quite simply, the drummers that can play these drum beats get paid! These consist of simple 4/4 hi-hat beats with bass and snare, similar to your standard rock/pop beats. In country music, drummers are often heard playing “money beats”.
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